I really like tone like Lenny from Stevie Ray Vaughan and I am hesitant between a Deluxe Reverb 65 or the more expensive Super Reverb. Read the new instructions here: 5.1. Mid-Sixties Fender Super Reverb Before Vaughan bought his Marshall Club and Country amp, a mid-Sixties blackface Fender Super Reverb was the source of his clean tone. This specific custom Cougar has an incredible amount of headroom, is super clean and has that heavenly sparkle tone. Stevie used Fender Reverb amps mostly, so this will be the amp to go with. This very tube special set has every single tube optimized for the best possible performance for blues players and is a result of years of experience setting up amps for pros. Tone right up. He really liked Vibroverbs and Super Reverbs, usually running them in stereo to fatten up his sound. With my Reverb, I use 150% SS and it looks crisp as can be. Super Reverb are sought-after to achieve the SRV sound. During the 1989 recording for In Step, Stevie Ray Vaughan and Double Trouble's final studio album, Vaughan became infatuated with a variety of amps, filling the band's rehearsal and studio spaces with 32 models. The Super Reverb’s detailed soundstage and dynamic, articulate transition from clean into overdrive when played hard has made it a favorite of many blues guitarists throughout the years. The song Pride and Joy is another example of the legendary tone of the late, great Stevie Ray Vaughan. SRV’s clean tone was quite amazing, which is what Fender amps are popular for. They have a very clean sound and fit the Stratocaster perfectly. As you'll hear in the video, those conditions are: … Tag: super reverb How to get Stevie Ray Vaughan Tone. The Super Six from Lovepedal is an "amp-in-a-box" pedal designed to capture the sound of a Blackface Fender Super Reverb. SRV used an Ibanez Tube Screamer to get his distortion and a Dunlop Cry Baby Wah pedal. Topics. Initially this will be a Pro jr and later a similar configuration built into a Hammond L-100 amp chassis. Reverb that extracts only the early reflections. See the SRV Collection pages for more information on Stevie’s Tube Sreamers, Loop Selector, guitar picks and tremelo “whammy” bars. SRV leant into his Albert King mode and skilfully adapted to the drama and space in the arrangements to send seismic shockwaves through the guitar world. Thanks for any response. Amp Settings Getting the sound for this is a lot about the Reverb! King, Mike Bloomfield, Robert Cray, Stevie Ray Vaughan, Derek Trucks and Joanne Shaw Taylor have plied their trade through the bold 4x10 beast. Note: The old method of editing the text file has been done away with. It has great midrange content, which we all know (or should) is where a guitar belongs in the mix, because, well, a guitar is a midrange instrument. E5RSY Doctor of Teleocity. The “blackface” Fender Super Reverb is a 45 watt guitar amplifier with 4 10” speakers. Under the right conditions, it is the closest thing to SRV-in-a-box that I've ever played (so far). I personally like the cleaner sound he got from his "regular" Strats better than the shrieking of his No. Apparently, though, a Strat, a lead, a Super Reverb amp and otherworldly talent are enough sometimes, and the results speak for themselves. Interesting, I tried your settings Bignewy and mine ran way worse, averaging around 25fps and really stuttery, I stuck it back to where I had it and its smooth and running high 30's - 45fps. Super Reverb settings, anyone? SRV Reverb that modelings the Roland SRV-2000 digital reverb. First off, we’ll talk about SRV’s amps. The AB763 Super Reverb is a very popular Fender amp due to the huge tone, robustness and the pure tone from the traditional blackface AB763 amp design. R Reverb N N/M M M/B B = the pickups on a strat ... and good for those gritty chimey srv tones. Mesa’s Mark-series amps all have a lot in common, and the settings outlined in this example are useful in the Gain channel of all Mark-series amps with a built-in Graphic EQ. With these I will very likely buy an attenuator and a tube screamer and I have to add these costs in the equation. Guitar Settings To get the sound I used Position 2, the blend of the neck and middle pickups, I have no idea if this is what SRV used, but it sounded closest to the reference track. This # 1 prototype of the incredibly successful model called Super Snake is a blend of Stevie Ray Vaughan’s Dumble, Fender Bassman and the blackface Super Reverb. '67 Super Reverb with Jensen P10R alnicos Just noting that your Jensen P10R speakers may perform differently than speakers others may have put in their SR amps, so bright switch and other settings may be different for those SR amps using other speakers, e.g., hemp cones, ceramics, etc. Zendrive Settings (Page 1) ... My best advice if you are after the SRV tone would be to put the level all the way up, the tone up around half to 3/4, and the overdrive low probably less than 1/4. Discussion in 'Amp Central Station' started by E5RSY, Nov 12, 2013. Volume right up. ... but a Super Reverb and Vibroverb split will get you closest. Find out why below. My other thought is that SRV's tone relied in part on 40w blackface Fender amps that were absolutely cranked to volume levels most people can't or won't use for extended periods. It sounds big, with lots of bass and treble. And of course, Marshall amps and other larger and louder amps became the “sound” of the day, and sold in great numbers, mostly because guitarists saw their heros playing them at the large concerts, where a loud amp was required. A Clever way to solve the problem is for the software to identify the settings used by the Originator and include it in the invite when processing Like Super Pop 90/90 or Super Studio 30/70 what ever. Running up to four amps will push a lot of air, but often, the crunch of Bonamassa's tone has come from a vintage TS808 . The Super Reverb has its own thing going. I have a vintage super reverb and recently got a maxon od9 overdrive pedal. In the electric world of the blues, there has been many guitarists who have set the standard in regards to playing, feeling, and tone. Re: SRV Super reverb I found this at stevieray.com "1985: two blackface Fender Super Reverbs (4x10 EV's*), a 150-watt Dumble Steel String Singer (4x12 with four 100-watt EV's, and 6550 tubes), another Dumble 150-watt 4x12. NON-LINEAR Gated reverb or reverse reverb. SFX Reverb with a distinctive effect. So you will have to tinker with it based on your graphics card and VR headset. But you wont get 90 FPS even with a 3090 that way. Many effects on Smule, but the most popular seems to be Smule Super Studio, Studio FX and Polish. This cab works very well for bluesy fendery type stuff ala SRV. “Personally I only use Smule Super Studio FX. Completely handmade by the master himself, Tommy Cougar. Singer, Fender Super Reverb, Marshall Majors on 8x10s SRV also used many other amps to create this wall of sound. Players like Muddy Waters, B.B. Turn it up :) lots of verb here and it really adds depth to the lick. See our Buyer's guide to vintage Fender amps at http://fenderguru.com/buyers-guide-to-vintage-fender-amps. Running a G2 on a 2080 Super, 32G RAM, i7 8700 on a M2 SSD. After months of cipherin' I've decided to take a 70's Super Reverb, run the Super head through two of the 10's and run an 18 watt head through the other two 10's. Its common knowledge that he was a fan of Fen der tube amps. 5. One of the new cabs is the 4x10 Super Reverb with 2 speaker choices. Recorded at the end of 1982 (and released in 1983), this song is one of Stevie’s own original songs from the album Texas Flood, which also features some Blues and R&B cover tunes.. Check out the new Super Spring Theory. We already discussed a Fender Super, the brownface 6G4. People often think a BF Super Reverb will do the trick, without really understanding that they have to have it on 9 or 10 to get to where Stevie was. Would the closest option on the x2 be #7- the 65' deluxe, with the gain knob higher ... To adjust the settings again, simply reconnect the Super Champ X2 to Fender FUSE." We tore apart reverb tanks to see what makes them unique to create something truly special. Posts: 11,138. While Fender produced Super Reverbs from late 1963 to 1982, the so called “blackface” models are distinguished by their black front panels and were produced between 1963 and 1967. The AB763 design is also to be found in some silverface amps between 1967 and 1969. SPACE ECHO Reverb … These settings are specifically for a heavy rhythm sound in the amp’s Mark IV mode. Super Reverb Vox Wa Wa Ibanez Tube Screamer TS9 MXR Loop Selectors. Joe Bonamassa may have moved away from pedals more recently, but there was a time when he followed SRV in his use of a Tube Screamer. I will not buy another amp from the Hot-Rod series as I am afraid to buy another lemon. He used Dumble Steel String Singers, Marshall Majors … DUAL Reverb that lets you use two types of reverb simultaneously. As you'll hear in the video, those conditions are: An amp that's fairly balanced, not to trebly. The Spring Theory is designed specifically for guitar. This fx will not change your voice and people will hear your own sound. Thanks Open Type. The Super Six (Stevie Mod) from Lovepedal is an "amp-in-a-box" pedal designed to capture the sound of a Blackface Fender Super Reverb. Haven't picked up an X2 yet. Joined: Mar 5, 2009 Location: Georgetown, TX. For our first foray in to DSP we put our white lab coats on, we listened to a lot of reverb, and then we listened some more. A lot of things are radically different too and higher settings for water and AF. Page 1 of 2 1 2 Next > Nov 12, 2013 #1. That explains the problems faced by many. This time it’s a ’64 blackface Fender Super Reverb. The Super Reverb is definitely one of my all-time favorites. It comes with vintage Jensen C10R's or vintage Fender CTS alnico speakers (or mixes with both). Ideally it would be good for the initiators of a duet to include SS FX Setting Details. Among these guitarists are BB King, Albert King, Freddie King, Buddy Guy, Muddy Waters, etc. Blues always makes a lot of demands from your amp and we are always looking for the best performance and all the right tricks. Stevie Ray Vaughan used medium gauge Fender Celluloid Picks. Given that Vaughan had a heavy pick attack and also played a lot of fast, single note lines, his choice of pick is perhaps a little surprising. The settings depends on your singing environment. Under the right conditions, it is the closest thing to SRV in a box that I've ever played (so far). great for reissue and vintage fender deluxe reverb amps. When Vaughan started playing increasingly larger venues in 1983, he added a pair of Super … These particular settings are taken from a video that John did for Mesa/Boogie on his personal Mark V settings. But he turned them upside down, and so he struck the strings with the rounded end of his pick, rather than the tip. I would like to know some eq settings for your amp as well as an overdrive pedal similar to my maxon that work great for classic srv tones. Windows Mixed Reality Settings. New! No longer in production. The Super Reverb and The Twin Reverb were very popular, as well as the Bandmaster line (the Bandmaster was the first amp I ever played through).