The quality just sounds like a 10$ USB mic (muffled idk just bad). Shure SM7B is less sensitive in comparison. But, it’s not $300 worth of difference. Any type of dynamic mic, like the Shure SM57 or SM58®, contains a voice coil that is very susceptible to picking up the hum field. The next leg of the journey involved setting up the microphone in a way that would give me the sound quality I needed as a professional voice actor. It does such a great job at bringing the best out of your voice, and I love it. The quality usually is insanely high quality on everything else like audacity. Hi Jason, I been testing the SM7B through the TUBEPre (12AX7 TUBE electro-harmonix INSIDE) and straight to the Maudio Solo, and the hiss is the same, cos is not a noise is just a hiss when you rise up the gain, also I have the same hiss with mu Shure Beta87A with the same gain, of course the SureBeta sound louder cos is condenser, but to find if the problem it is with the mic is a good test. Remove the fitted washers, the lock washers, the outer brass washers, and the brass sleeves. But you, Quincy, and your sound production team decide to go with the Shure SM7B – a modest dynamic cardioid microphone used primarily in radio broadcasting and spoken word – to record most of your vocal tracks, and all of Vincent Price’s (in two takes, no less!). It has a wide frequency response for pure music and speech. It takes EQ well and certainly needs it for some applications but is an incredibly versatile microphone that brings much value to my recording space, such as it is. Sounds too good to be true. It might be that it's just not the right mic for your voice, or your style of music. Shure says the MV7 is not going to sound exactly like the SM7b but that it offers the frequency response and tonal quality of broadcast-style dynamic microphones. For other uses where the SM7B shines, like radio broadcasts or narration, the SM58 sounds kind of “dull”. The SM7b sounded considerably better than the MV7 out of the box in my own brief comparison. The Shure SM7B vocal dynamic microphone is well-known for its rich yet neutral low-end, which has a completely natural sound that makes every recording sound true-to-life— sometimes even better. The quality usually is insanely high on everything else like audacity, skype, obs, teamspeak, discord etc.. Vote. Nothing can be added to these mics to control this. 2. 51.5 dB gain means the EIE Pro's +6 dBV full scale comes down to -45.5 dBV, which the SM7B achieves at 110 dBre20μPa. Discord & Shure SM7B issues. Not that the raw sound is bad perse, but you will find that it sounds somewhat “veiled”. Forgot to mention I already tried experimenting with the different windscreens or removing them all together. Shure SM7B discord issues. Shure says the MV7 is not going to sound exactly like the SM7b but that it offers the frequency response and tonal quality of broadcast-style dynamic microphones. The MV7 has a built-in gain switch (+36dB) and is more likely to pick up room sounds when boosted. When my cat is bathing in the corner, I can still record. From my grumbling stomach to the sound of my house settling to the cricket that had somehow snuck into the basement with me. Of course, this wouldn’t be as much of an issue if I had a professional studio space like a WhisperRoom or something from StudioBricks. What do you think about this microphone for narration? Do you have the windscreen on? I didn’t hate the mid-range boost at first, I found that it “opened” up the sound quite a bit actually. SM7B is a Studio microphone that provides a warm and balanced sound. Expect a new post in the future about analog compression and how … Are you plugged into the line input or mic input of the 2i2? The windscreens affect the sound in a subtle way and I experimented with all of the options. I certainly put some work into coaxing the ideal sound out of this “Legendary” microphone and I’m sure there will be more tweaking to come. Without a pop filter I found that even the A7WS windscreen allowed plosives through, although only slightly. Well in a sense, it is. I really like my voice with the NT1A but figured it's time for an upgrade. The mic sounds great in audacity and OBS etc, but in discord it sounds not bad but worse, i've disabled echo cancellation, noise reduction as i saw it helped and it did. I am a fickle beast. The Shure SM7B doesn’t have a near or far mode, nor does it let you adjust the microphone gain. Question. Edit: Interesting. Let me know what you think in the comments down below! the background noise is nothing to worry about. It's pretty easy to get a great sound with the SM7B. I've been spending the last two weeks reading countless of posts about the popular SM7b and how to get it to shine. When you buy products through links across our site, we may earn an affiliate commission. I found it darkened the sound a little bit as well which was counter to my goal. Even with the cloudlifter you're still going through a very bad preamp. Unlike the Cloudlifter CL-1, I wouldn’t need to purchase another XLR cable and the Fethead was almost half the price. It sounds strange. It may seem drastic but believe me, it works wonders. I have a Shure SM7B + Cloudlifter + Focusrite Scarlett Solo 3rd gen I also have this problem in zoom meetings. This is where EQ comes in. Shure SM7B discord issues. The instructions are so bad you can't even read the word "Shure" on the back of the mic in the picture in the instructions. In other words, the Shure SM7B is equipped to minimize audio clipping and signal distortion from loud outputs. Close. But if rock/metal vocals are your main thing, you might also want to consider something like a Shure SM7B. For my current ear, the bare microphone with a pop-filter sounds best. I'm also with whomever said put the dbx as an insert if you don't want to use plugin compression.. As suggested by a few users here I removed the DBX 286s and now my setup is as follows: Shure SM7B (boosted mids, standard windscreen on) -> Cloudlifter -> 2i2 -> PC. It has a largely flat response and adds warmth and richness to the human voice. Shure SM7B Vs AKG C214 But just because this mode doesn’t jive with my voice doesn’t mean it won’t complement yours, give it a try! For some sources / voices. This isn’t bad, just unexpected. Not that the raw sound is bad perse, but you will find that it sounds somewhat “veiled”. Some large-diaphragm dynamic mics, such as classic radio-host mics like the Electrovoice RE-20 or Shure SM7B have mesh or foam wind screens built in, that serve to mitigate plosives. The Shure SM7B cardioid dynamic microphone has been around quite some time now, and for good reason. That’s what I do of course. The sm7 sounds great on aggressive vocals, or for singers voices that are sharp, thin, or spiky. When the air conditioner is running, I can still record. “Legendary” Shure SM7B dynamic microphone. Dynamic mic. I'd still try it just sm7 straight into the interface's preamp. Of course that was not the end of the story. The noise level will not be very high. Will turning off the processing be enough or do you want me to remove it completely? It certainly met those needs. If so, try taking it off. My first mic was the AT2020 and I was really happy with the outcome considering its price. When the neighbour(maybe not next door) mows his lawn I can still record. Shure’s microphones all have a surprising heft to them, a consequence of durable construction. I experimented with setting the rear switches to “Presence Boost” but ultimately returned to “Flat Response”. Vote. The mic sounds great in audacity and OBS etc, but in discord it sounds not bad but worse, i've disabled echo cancellation, noise reduction as i saw it helped and it did. Posted by just now. Of course, I am only a novice and I’m still learning. As a result, you’ll notice it’s a little lower, volume-wise, than the ATR2100. I don’t believe “Bass Rolloff” is a setting that a working voice-over will ever find themselves using with the SM7B. It would NOT be my first choice for a spoken word context as it can be very in your face - not my thing, but that's subjective. well first off, remove the dbx from the signal chain - use it as a hardware insert if you really like it, but IMO there are plenty of plugins that will give you the dbx sound. Its output level is -59 dB and my Mackie Onyx USB Interface provides 55 dB of gain. That is where sibilance and my “nasally” tones tend to live. I find my voice already tends towards nasality or “goose honk” as my spouse describes it. You should try the SM7B with a proper preamp, the preamps of those very low end interfaces usually sound bad. It is not a "silver bullet" by any means. On a male voice, the PodMic sounds excellent, but when compared to an SM7B with the presence peak switch engaged, the PodMic sounds a little brittle in the high frequencies with harsher sibilance than the Shure. I’m happy to report that the Fethead has performed as expected and I’m able to set the gain on my interface to 60% or so, keeping the self-noise produced by my XLR input to manageable levels. Brent is totally on to something, and has tons of experience. For those unfamiliar with audio hardware jargon, this means that it’s sturdy and less sensitive to loud noises compared to condenser mics. It’s possible to iron out most differences in tone with dynamic EQ. If we take a peek at the frequency response chart the reason for that will be evident. You need an in-line mic preamp like a FET head or Cloudlifter CL-1 to add gain to it. From my research, I learned that a dynamic microphone with a wide frequency range is often an ideal choice when recording in less-than-ideal environments. try taking out CL, work close. Most dynamic microphones have a frequency response that end up to 16 kHz which would not do justice for sound sources that contain very high frequencies. Shure hasn’t relegated the MV7 to the consumer USB mic bracket. It is shipped in the boom mounting configuration. It is a pretty heavy high-pass filter that starts at 400 Hz. You might not even need it. Learning to say NO: Declining offers on ACX. I decided to couple the “legendary” microphone with the Triton Audio Fethead (in-line microphone preamp), which would theoretically add 27 dB of “clean” gain to the equation. If we use a microphone for a conversation, such as podcasts, almost any amplification will do. By default, the Shure SM7B comes with a standard foam windscreen installed which according to the user guide is meant for “general voice and instrumental applications”. I'd also vote to take it out of the equation for tests. If you have an OK sounding preamp and just need some more gain the cloudlifter is a solution, but i suspect it's not gonna help an awful lot in your situation. Condenser mic vs. One of the more obvious configuration options with this microphone can be found on the switches on the rear of the device. The only thing I didn't like with the Røde was the sibilants. Jokes aside, the Shure logo plus the ‘SM7B-inspired’ marketing raised my expectations of the MV7’s sound and it doesn’t disappoint. Be s(h)ure, the SM7B is an amazing microphone. Out of the box, the switches are set to “Flat Response” which is how I use the microphone today. To set up the SM7B in the microphone stand mounting configuration, proceed as follows: Remove tightening nuts on the sides. Question. The Shure SM7B is a cardioid dynamic microphone that has really gotten around over the years. Rochman says the SM7B “ does a good job of masking a poor recording environment, handling a screaming vocal, and performing double-duty as a drum or guitar amp mic. If we take a peek at the frequency response chart the reason for that will be evident. It usually sits at 60-70 Hz and just helps cut any vibration or hum that might be in the background and contains no useful vocal data(especially not in my “youthful” voice). OP, you should try to audition mics to find which one suits your voice best. If you've got a ton of gain on your preamp, then try to get a healthy level without eating the mic. The Shure SM7B is incredibly versatile and used for popular podcasts, rock vocals, hip-hop vocals, and the best microphone for YouTube. That XLR output lets audio engineers see the MV7 as a studio-ready addition to any mic arsenal. The shock mount is optimised to reduce stand vibrations. The wide-range frequency response gives your sound the most natural & accurate sound you could ask for, whether singing or speaking. The SM7b is a great mic on SOME voices, and in SOME mixes. For more information on the dbx 286s click here! Looking at the chart we can see that the response falls off a cliff at 10,000-12,000Hz. Wow, a dynamic mic with the frequency range of a condenser! Especially if you pair a dynamic microphone, like the Shure SM7B, with a mic preamp/processor like the DBX 286S, which has analog compression. SM7B’s 150 Ohms output impedance is … You may have heard that Michael Jackson used an SM7, which was practically the same mic (the difference is that the SM7B has a Hambucking coil inside the mic and a larger windscreen), to record “thriller”, “Off the Wall” and “Bad”. You will very much want to EQ your voice if you are using this bad boy for voice over. Connect via USB and explore additional set-up features and Auto Level Mode within our ShurePlus™ MOTIV app, to control your vocal tone, and distance from the microphone. Upon re-listening to auditions that I had sent out while the microphone was in “Presence Boost” mode I came to the conclusion that “Flat Response” was where I needed to live. The frequency response of this microphone is listed as 50-20,000 Hz. Bearing in mind it's a broadcast-style dynamic mic - it has. If you have done any research into this microphone yourself then you are aware it is quite gain hungry. The signal is still pristine that way unless you're abusing the normalize process. The result is that the SM7B is optimised for low end response (the deep, big bass sound heard in many of today’s recordings). I have a Shure SM7B + Cloudlifter + Focusrite Scarlett Solo 3rd gen . I recently purchased the “Legendary” Shure SM7B dynamic microphone for audiobook narration. Inspired by the legendary SM7B, the MV7 is a dynamic microphone with both USB and XLR outputs for use with computers and professional interfaces alike. They were designed to be worked VERY close in a broadcast setting, often around a table of speakers in a radio studio where you don't want leakage from other speaker's voices getting into the adjacent microphone. As you can see from the chart it gives a 3dB boost from 1000-7000 Hz. Posted by just now. I chose the Fethead because of its price and form factor. The SM7B can be mounted on a microphone stand or hung from a boom. – leftaroundabout Oct 1 '12 at 22:19 The frequency response of this microphone is listed as 50-20,000 Hz. Shure has been providing pro-grade microphones for an age, and the MV 7 Podcast microphone is its attempt to bring its high-end sound to content creators. Like the famed Elvis microphone, the Shure SM7B is a dynamic mic with a cardioid polar pattern. It works well where condenser mics fail because their extended or "lifted" upper midrange or treble plus sensitivity is too much. It gives my voice a warm, even tone that responds well to EQ. This particular mic needs a ton of gain. The SM7B is more forgiving with positioning and does better to reduce unwanted / off-axis sounds. Not very clean, and not what I'm used to hearing from an Sm7 (or even a 58) into any of my higher-quality preamps. The quality just sounds like a 10$ USB mic (muffled idk just bad). If you have questions about using the Shure SM7B for audiobook narration I sure hope that this post helps you in some way. That being said the Shure SM7B has some hidden costs. Still, in my opinion the AT2005 does a great job at rejecting unwanted noise and if you watch a bunch of microphone comparison videos on YouTube by professionals I don’t think the difference is huge when you set both mics up correctly. definitely better on last file. While only you can decide if alternate eq/reverb settings will get you where you want to go, my vote is that you have the wrong mic for what your brain wants to achieve. Shure SM7B. My recording space is literally 10 feet away from the central air system of the house I live in. Thanks for the input! (1 Pa sound pressure or ~94 dBre20μPa is a reasonably loud sound, but nowhere near the limit of what dynamic microphones can take and less than you get in typical recording situations.) I also have this problem in zoom meetings. After some time I didn't like the harshness anymore and got myself a Røde NT1A in combination with the Scarlett 2i2. The open vowels in your recording have a tremendous amount of "bark." Which I do with any dynamic that may be somewhat low in capture (re20 etc). Does it perform? I always EQ a high-pass filter but it most certainly isn’t that drastic! Everybody "eating" their mics. Learn more about the SM58 on Amazon. It is thin and functional and is what the microphone is equipped with on the box’s graphics. 5 Ways to Escape the Anxiety of the Audition Black Hole, Preparing a New Audiobook Script for Production, Using the Shure SM7B for Audiobook Narration, Overcoming Self-Doubt, the Struggle is Real. It also comes with the A7WS windscreen which is a thick, black foam attachment that is meant “for close-talk applications, such as voice-overs or radio announcements, as it offers maximum protection from plosive breath noise and creates a warmer, more intimate sound”. Not sure how you have your DBX 286 setup, but I'd start out with a neutral sounding setting on the unit and try to get the microphone sounding as best as you could with a neutral setting on the preamp before adding in any compression or the exciter and the like. It is brighter and sufficiently shielded from plosives. And then normalize it to get it more in range with other tracks. 4. The sm7 is a great mic. However, my voice-over career hasn’t hit that level of investment just yet! Having Thriller on your resume isn't such a bad … The Shure SM7B has a frequency response that reaches up to 20 kHz making it a suitable microphone for capturing sound sources that have upper harmonics such as guitars, pianos or vocals. Sort of like the village bicycle except not No really, you may have heard that Michael Jackson used an SM7 (basically the same thing) on his 1982 album “Thriller”, as well as “Off the Wall”, and “Bad.” I didn’t need my grade 10 math to figure out I would be lacking in the gain department. What you want to do is put any reverb effects you need to make you sing well comfortable in your monitoring chain. That is the frequency area that adds “air” or brightness to the sound of a microphone. You might be surprised by the results. Do you like the recorded sound of your voice on a different mic? If you feel at home customizing sound settings, you’ll appreciate the Shure MV7 software. Close. When I purchased the Shure SM7B I was looking for a microphone with decent quality that I could use for audiobook narration that wouldn’t pick up every errant noise within a 3-mile radius. The sm7 sounds great on aggressive vocals, or for singers voices that are sharp, thin, or spiky. That is very likely to change for me in the future though. The SM58 also has a significant cut below 100 Hz, similar to the SM7B when the bass cut is switched on. Keep in mind that this is still a dynamic microphone. Discord & Shure SM7B issues. I do a LOT of high shelf boosting on mine to get it where I like it - don't be afraid to experiment. Shure has been providing pro-grade microphones for an age, and the MV 7 Podcast microphone is its attempt to bring its high-end sound to content creators. EQ the hell out of it. In testing sm7bs at various times over the years (including yet again a few months back) I set whatever interface I have to its nominal gain position (input about half up on many interfaces) and just capture the mic test track. The professional Shure SM7B, ... power than I expected. The luxury of being able to record in less-than-ideal spaces has some trade-offs, namely sensitivity and sound quality at ALL frequencies. They are very widely used for loud, aggressive vocals and they have the advantage that they can be worked up close, which helps to minimise the pickup of room sound. Answer: The likely source of the problem is a hum field in your studio caused by the AC power lines. I'm with Brent. I had spent a couple of days doing the final edits on my last audiobook, getting it ready to send off to the RH and I was shocked at how much noise I was left to deal with AFTER the FX chain had done its work. I personally use a high shelf band at 10,000 Hz with a slope of 12-18 dB/oct and add 6-8dB of gain. BUT it’s still quite easy to P-Pop those mics, you’ll hear it almost every day on the radio. There is also a top-secret configuration that involves using no windscreen at all and instead utilizing a pop-filter like some sort of ne’er-do-well. I am uploading a sound file for you right now to hear for yourself, will be online soon. There are many options on how one can ultimately configure the SM7B for audiobook narration. Unlike typical consumer grade mics, the SM7B has no distortion, just a clean, balanced bass. It Shure does (sorry).