So, this comparison is between the f/2.4 version, Rokinon/Samyang’s higher-end 14mm lens. Not available unless you stop the ring in between the click stops. Correcting 4 or 5 stops of shading is going to result in noisy image corners. Stopping down to f/4 results in a slight increase in sharpness in the center of the frame with results rendered razor sharp. After viewing product detail pages, look here to find an easy way to navigate back to pages you are interested in. Samyang/Rokinon lenses have competed fairly well on an optical level with Zeiss glass in the past, but the build and handling of the Korean lenses was a distant second. Shading continues to decrease until roughly 1 stop remains from f/8 through f/16. So I had one good clear night. APS-C format sensor cameras will see about 1.5 stops of shading in f/2.8 corners. I have both the Rokinon 14mmf2.8 and the 24mmf1.4 which I got specifically for astro photography. Rokinon is the same company as Samyang, above, but they brand some of their lenses differently than others. The list of uses for 22mm is very similar to the 14mm list, but with the narrower angle of view, the uses shift away from dramatic perspectives and ultra-grand landscapes toward an often easier to manage field of view Rokinon model AE14M-C is Rokinon' s newest version of its most popular 14mm F/2.8 Ultra Wide Angle Lens for Canon. The 14mm f/2.8 IF ED UMC Lens for Canon EF with AE Chip from Rokinon gives you approximately a 115° view with dramatic results when used with a full frame digital camera or 35mm film camera. It can make one's nose look big and, unless your subject has a good sense of humor, they will not likely appreciate this look. While the stars are not perfectly round (and include small amounts of star trails), this is one of the better-performing lenses available in this regard. I have not tested it in any specific way. While I have addressed a list of shortcomings of this lens, the Samyang 14mm f/2.8 Lens' big deal is the image sharpness for the price. If photographing these subjects is on my to-do list, this focal length is very frequently part of my kit. where even large subjects become tiny. Almost would have thought the delivery truck was parked at the end of the street in anticipation of my order...! The MFD (Minimum Focus Distance) and most-infinite (past infinity focus usually) focusing distances are hard stops, making focus setting marks repeatable. The 22mm AOV (Angle of View) is just wider than the ultra-popular and very useful 24mm focal length (shown above) and useful for similar purposes. The 14mm angle of view is great for this. The Rokinon 85mm ƒ/1.4 Aspherical was designed to fit the full-frame 35mm sensors of Nikon, Canon and Sony cameras, as well as having models available in Pentax, Samsung NX and four-thirds mounts. The 6-blade aperture creates hexagonal shapes from out of focus points of light and those shapes are not evenly filled, having a rough appearance. Laowa 12mm f/2.8 vs Rokinon 14mm f/2.4. Here is a table showing the 14mm and 15mm comparables followed by a variety of zooms covering the 14mm focal length or having wide angles and an f/2.8 aperture. Bringing you this site is my full-time job (typically 60-80 hours per week). are a good use of a 14mm lens and a good reason to have such a lens in your kit. It features all of the same specifications of Rokinon model FE14M-C but also has a built-in AE for auto metering with your camera. It's going to be magnificent! Here are the four closest-match lenses visually compared: Use the site's product image comparison tool to visually compare the Samyang 14mm f/2.8 Lens to other lenses. This is a manual focus, manual aperture, manual exposure lens that does not report any information (not even the aperture used) to the camera. this comparison? The Samyang 14 is not unique in this regard as the Canon and Nikon alternatives do not have front filter threads. Producing very sharp images with great chromatic aberration control and … Have people in your frame? Immediately I put it on my EOS7d MKII (because I don't have my 6d yet) to shoot a sharpness comparison. While my extension tubes seem to have disappeared and I can't prove this out at the moment, That big, beautiful convex front element is both eye-catching and light-catching. When considering other lenses to compare this one to, only Canon and Nikon have direct focal length and aperture comparables. Samyang includes a basic, lightly-padded pouch in the box. Color fringing is practically nonexistent. It is not hard to identify the background in this image. The PTLens plugin for Photoshop is a better option from a file format perspective. Looking at apertures overall, f/2.8 is considered "fast", but keeping perspective, it is two stops slower than the f/1.4 aperture commonly found in fast prime lenses. The Zeiss 15 also lacks AF, but it has front filter threads to its advantage over the other options. The Rokinon 14mm F2.8 ED AS IF UMC Lens gives you approximately a 115° view with dramatic results when used with a full frame digital camera or 35mm film camera. With a front lens element protruding so much, concern for protection of that front lens element is elevated. I shot with the mirror lock-up enabled and 2 second shutter delay. Even though the extreme bottom left corner results shown below are not quite as impressive as the bottom right results, they are still quite good. We are not talking about fisheye-level barrel distortion, but ... enough distortion to warrant correcting in some scenarios. Lenses with this front element design style require a wrap-around style lens cap for complete protection. Though dark at f/2.8, the needles are sharp. When using a wide angle focal length, subjects tend to be smaller in the frame (especially background subjects) and their motion is slower to cross pixels. Bokeh, referring to the background blur quality, is not a strong asset of this lens, but ... a strong background blur is also not easy to create with a 14mm lens. The hood is constructed of rigid plastic with only slight flex that aids in absorbing impact. view with dramatic results when used with a full frame digital camera or 35mm film camera. That the Samyang's shading gradient is so gradual, with darkening happening evenly from the center to the periphery, this lens' shading is not as obvious as one might expect. With a manual aperture implemented on the lens, the view through the lens is always stopped down (unless using f/2.8 of course). Cameras with electronic levels have a big advantage in overcoming this issue. DxO Optis Pro reportedly does a nice job correcting this lens' distortion. I will say figuring out the manual focus was a little difficult for someone who relies on her auto-focus, but once I got the hang of it, I had no issues. A super wide-angle prime designed for Canon EF-mount DSLRs, the SP 14mm f/2.4 from Rokinon pairs an advanced optical design with simple, intuitive handling. Both the Canon and the Sigma lenses were much sharper even wide open, which I verified by magnifying the picture to it's max, and checked all the extreme edges and corners. EDIT, I've added a photo from a recent shoot. Like, so nuts you could take pictures from the roof and it'd catch the side of the building. It is also an amazingly well built lens, likely to far exceed the Samyang's life expectancy. The image above is a 100% crop from the top right corner of a 30-second-exposed 5Ds R-captured image. As you already guessed (due to the lack of a gasket at the lens mount), this is not a weather-sealed lens. Reviewed in the United States on March 24, 2019. I see the risk as low. This angle of view is notably able to give the viewer a sense of the presence in the images captured by it. Versatile and well worth the space in my bag. Considering the price of this lens, many will be able to overlook the latter. While the camera's autoexposure system can still be used, the aperture is *always* manually set via an aperture ring located near the lens mount. Update: The Venus Optics Laowa 12mm f/2.8 Zero-D Lens has since become available. The Samyang 14's lens cap has been working great. The 14mm focal length can, especially with the interesting perspective it provides, capture artistic types of imagery. Fortunately, such caps now generally clip to the inside of the hood and remain securely in place. Not as sharp as I have heard it was supposed to be. Canon 14mm f/2.8 L Review (1991-2007) Canon FD 14mm f/2.8 (-1986; review coming) Nikon 13mm f/5.6 Review (1976-1998) Pentax SMC 15mm f/3.5 (1980s-1990s, review coming) Great for . Simply amazing! Colors are nice and good contrast. The Sigma lens will work on a full frame camera, but the f4 aperture is too slow for astrophotography. A diffuser (either built in or accessory) or bounce flash (or similar) will be required to avoid an only partially lit scene. Samyang used to make their lenses available in a variety of brands, but market demand led to only the top-selling Samyang and Rokinon-brand lenses remaining in its product lineup. Let's look at some real world examples, starting with a set taken from this lens' best-performing location near the center of the frame. The Rokinon 14mm f/2.8 IF ED MC Super Wide Angle Lens with Automatic Chip for Nikon gives you approximately a 115deg. Want to make your small fish into trophies? Focal length matters because it drives focus distance choices and perspective is then determined. Overall, the sharpness of this lens is quite impressive for its price. The wider the focal length, the easier to utilize I find fully manual lenses to be. There are few wide angle lenses available that can improve upon these corner results. Note that, with the focus confirmation chip, the Nikon version of the Samyang 14 is modestly more expensive and that this higher price is factored into these comparisons. The lens is still pretty wide on a crop sensor, and it's totally nuts on a full frame. Half Price: Elvid 5" RigVision HDR On-Camera Touchscreen Monitor; More! I encourage yo… It also analyzes reviews to verify trustworthiness. I have a Canon EF-S 17-55mm f2.8 and a Sigma 10-20mm f4-5.6 and even wide open both of these zoom lenses were hands down sharper than the Rokinon 14mm prime lens. expect the Samyang 14 to not be compatible with these. Its infinity focus allows for great astrophotography. APS-C sensor format cameras are not exempted from this issue and a strong barrel distortion should be expected in such images. A workaround to this problem exists in the form of 3rd party adapters, The Rokinon 14mm f/2.8 and the Rokinon 14mm f/2.4SP. Overall, from an image quality standpoint, the Samyang 14mm f/2.8 Lens scores big points in the image sharpness and CA categories, but takes an especially big hit in the distortion category. When bright lights are in the frame, this lens will show a moderate amount of flare relatively easily and with this ultra-wide angle of view, it is not hard to get bright lights, especially the sun, into the frame. 1,139 global ratings | 813 global reviews, Its a no brainer lens that is razor sharp and produces amazing images. For example, when photographing the night sky, the rotation of the earth creates star trails in long exposures. though the distortion correction percentage can be adjusted in ACR (Adobe Camera Raw). As mentioned being an ultra-wide angle strength is emphasizing subject size via perspective. I am grateful for your support! The Rokinon 14mm f/2.8 Lens Cap is rather large due to the built in hood design. While this lens ranks among the strongest vignetting lenses available, it is not much worse than the Zeiss 15mm f/2.8 with 4.5 stop. Another very important parameter for lens selection is image sharpness, the term commonly used to describe contrast and resolution. We weren't super knowledgeable about timing or anything regarding shooting the stars/milkyway (still need to learn) BUT I did get a few great shots with it. Using Av mode (I pick the aperture and the camera selects the shutter speed) often makes this process easy, but not in this case. I have mentioned the lenses comparable to this one throughout the review. To see how 14mm fits into the neighboring focal lengths, I'll borrow a comparison example from the Canon EF 11-24mm f/4L USM Lens review. Note that when gripping the lens for mounting or removal, you might find the lens hood to be the right grip surface as most of the barrel rotates freely and the focus ring rotates a lot of degrees. The 14mm angle of view can take in much of the sky. Samyang provides a 1-year warranty. The night sky is vast and full of interest (and the daytime sky often is as well). that will still create compelling compositions. While this can be done, the "cine" version of this lens, While Samyang provides a mount alignment mark under the rear cap, I would appreciate this mark being visible from the side of the lens or when the cap is on. While it’s well damped and very smooth to rotate, the focus ring requires a lot of rotation to sweep the lens through its entire focus range. Coma is generally recognized by sharp detail contrast towards the center of an image and long, soft contrast transition toward the image periphery. While seeing the actual depth of field at the selected aperture can be advantageous, a sure downside is the darkened viewfinder provided at narrow aperture settings. Simply hold them out toward and close to the camera with a 14mm lens mounted. Rokinon AE14M-C 14mm f/2.8-22 Ultra Wide Angle Lens with Built-In AE... Rokinon AE14M-C 14mm f/2.8-22 Ultra Wide Angle Lens with Built-In AE Chip for Canon EF Digital SLR,Black. Note that chipped versions of this lens (in one of the brands) are available and address this issue, but they are priced higher. I like to compose (for the brighter viewfinder) and focus (better precision with a shallower DOF) with the aperture set to f/2.8, then adjust the aperture as desired prior to photographing. The focus ring is slow. Use care if wet is possible. Prefer your corners more evenly bright? The 14mm f/2.8 IF ED UMC Lens for Canon EF with AE Chip from Rokinon gives you approximately a 115° view with dramatic results when used with a full frame digital camera or 35mm film camera. The mustache distortion, appearing as a bulge in the middle of the frame, is rather strong. However, the feature that matters most for most ultra-wide angle photography, image sharpness, is there and the very affordable price makes this lens a very attractive option. Still, I struggle manually focusing this lens at f/2.8 at close distances using a viewfinder lacking MF aids (primarily, a split prism). (Using the links on this site to make any purchase provides, Rokinon (Samyang) 14mm f/2.8 IF ED UMC Lens Review, Huge Canon Store Refurbished Inventory Update — RF 28-70, RF 24-70, RF 70-200, RF 50 F1.2, RF 35, 5Ds, TS-E, Many Other Cameras & Lenses, Again, the Refurbished Canon RF 24-70mm F2.8 L IS USM Lens Appears In Stock – Only $2,069.00, Canon U.S.A. The Nikon 14mm f/2.8 has 4 stops and the Canon 14mm f/2.8L II has about 3.5 stops of peripheral shading at this aperture. It wasn't many years ago that many of us considered these caps to be a pain as they were constantly sliding off. not having even a rear drop-in filter slot for neutral density filters will give pause to landscapers considering the purchase of this lens. Videographers will be more-challenged by this lens' linear distortion pattern. I shot the comparison off a Gitzo tripod (can't remember the model # which is covered up by foam rubber cushioning, but it will easily support my 500 f4 L lens) and for this comparison I had a large arca swiss style ballhead mounted on it. While my experience with the Nikon 14 is limited to our standard test results, the Canon and Zeiss are sharper lenses at f/2.8, though they have more LatCA. Still, this is an important capability. 14mm is something of a specialty focal length. Note that to get the corners bright enough for image quality evaluation at f/2.8, these images are, overall, quite overexposed. The Rokinon 14mm Ultra-Wide-Angle f/2.8 lens is designed to provide a dramatic 115.7° view on full frame cameras.and is perfect for astrophotography, landscapes and real estate imagery. It has an all-aluminum body which feels extremely premium. Rokinon 14mm F2.8 Wide Angle Lens for Canon EOS with AE Chip - AE14M-C 5 out of 5 stars (5) 5 product ratings - Rokinon 14mm F2.8 Wide Angle Lens for Canon EOS with AE Chip - AE14M-C Fully zoomed Live View manual focusing or the equivalent (such as using a tethered laptop) is the ideal way to focus this lens. Introduces Photo Culling App: PHIL. While this lens is basic in appearance, that big glass front element is gorgeous. I got the lens as result of positive YT reviews of 14mm Rokinon. The aperture adjustment is easy (simply turn the aperture ring), but you need to know that click stops are in 1/2 stop increments. For many more comparisons, review the complete Samyang 14mm f/2.8 Lens Specifications using the site's Lens Spec tool. This lens is wonderful. It's so sharp it's insane. I am returning the Rokinon and will begin my search again for a fast, yet sharp, lens! As mentioned in the beginning of this review, this is a manual aperture lens. This picture is completely unedited and straight out of the camera (6DMk2). To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. It is a rare time when I have preferred softer over sharper, and in those few instances, I could usually use an aperture narrow enough to show some diffraction to achieve softer. An f/2.8 aperture is good for stopping motion in low light. However, the risk of incompatibilities between a fully manual lens and a DSLR is very minimal. Your guppy will become a whale (to back up your fish tale), though the beautiful lake and mountains in the background may give away your fishing hot spot. I bought this for a 4-corners trip anticipating starry skies. In this example, the f/2.8 aperture is looking excellent in this area of the frame, appearing nearly as sharp as f/4 where this lens really delivers impressively. This page works best with JavaScript. There remain plenty of landscape uses for this lens, but not being able to use circular polarizer filters and it is a less-used full frame focal length. by simply cropping the top and bottom from a single, uncomplicated image capture. Pin-point stars in the night sky are the subject that brings this aberration out most easily for me and, with this lens' focal length and aperture being great for night sky photography, I was anxious to focus it on the stars. The above image was captured at f/2.8 at near minimum focus distance for this lens. Just don't get too close. And, when you can't back up any further, 14mm might be the right choice. The “Rokinon 14mm AF” Lens does not use a Dandelion AE chip. First off, shipping was lightening quick. I can't wait to take this thing out when the timing is EXACTLY right! The combination of ultra-wide focal length and short native focus distance will likely render ETs useless on this lens, requiring a working distance shorter than the lens. My Samyang 14 experience has been much better using manual exposures, though +/- exposure compensation can be successfully used if a narrow range of apertures are being used. Once you (optional) calibrate the infinity focus at the L mark left of the infinity mark, you can literlaly set the focus anywhere between 3 feet and between 10 feet and infinity and everything from 2-5 feet out to infinity will be in focus. Considerations must be made when using a 14mm focal length with flash. While not as fast as the 24 the wider lens can be left open longer without causing the stars to trail so Milky Way shots end up about the same with the two lenses. It makes little sense to stop down to f/5.6 aside from gaining increased depth of field (which is of course important sometimes). The Canon, Nikon and Zeiss all have noticeably less linear distortion. If you want to purchase this lens, please use my Amazon url! Fortunately, Samyang has addressed this issue with a nicely-sized built-in lens hood. Metering, for example, would sometimes be off, due to a lack of electronic com… Overall, the Samyang 14mm f/2.8 Lens is quite small with a very small lens barrel, a large front element and an even larger built-in lens hood. I know, I view most lenses as being useful for landscape purposes (and, most really are), but landscapes are right at the top of the 14mm uses list. The Rokinon 24mm f/1.4 compared to the Canon EF24mm f/1.4 on the right ($550 vs. $1750) The Rokinon 24mm f/1.4 ED AS UMC Wide-Angle Lens is hybrid aspherical that is particularly suitable for astro-landscape photography because of its excellent correction for coma aberration , even when used wide open.