Live-Evil is an album of both live and studio recordings by American jazz musician Miles Davis. 6, Kind Of Blue Deluxe 50th Anniversary Collector’s Edition, Miles Davis – In Person Friday And Saturday Nights At The Blackhawk, Complete, The Best Of Miles Davis & John Coltrane (1955-1961), The Complete Miles Davis Featuring John Coltrane, Live at the Newport Jazz Festival 1958 & 1963, Saturday Night – Miles Davis In Person At The Blackhawk, San Francisco, Friday Night – Miles Davis In Person At The Blackhawk, San Francisco, Miles Davis & Gil Evans: The Complete Columbia Studio Recordings, Miles Davis Quintet – Freedom Jazz Dance: The Bootleg Series Vol. Gigs seen live by. Sign In. 3, Miles Davis Quintet – Live In Europe 1969: The Bootleg Series Vol. Get Miles Davis setlists - view them, share them, discuss them with other Miles Davis fans for free on setlist.fm! He called the shorter, ballad-like recordings "things of great beauty", devoid of solos but full of "stunning, bittersweet lines", while also praising each band member's soloing on the live jams: "Everybody is just playing away, there aren't any weak links, and there isn't any congestion to speak of. Miles Davis At Fillmore: Live At The Fillmore East. Facebook. In the Source column of the tables above, the title "Funky Tonk" is used. That’s What Happened – Live In Germany 1987 (DVD), Live From The Montreal Jazz Festival (DVD). The two Miles Davises are so intertwined that one can’t help but detect a causal relationship. All Rights Reserved. (Hide) setlist.fm Add Setlist. The Definitive Miles Davis at Montreux DVD Collection, That's What Happened: Live in Germany 1987, An Evening with Herbie Hancock & Chick Corea: In Concert, Miles Davis at Fillmore: Live at the Fillmore East, Miles at the Fillmore - Miles Davis 1970: The Bootleg Series Vol. 2, Live At The Fillmore East (March 7, 1970) – It’s About That Time, Miles Davis In Concert: Live At Philharmonic Hall, Black Beauty: Miles Davis At Fillmore West, Miles Davis At Fillmore: Live At The Fillmore East, Miles Davis – Music From and Inspired by “Miles Davis: Birth of the Cool,” a Film by Stanley Nelson, Miles Ahead Original Motion Picture Soundtrack, Miles Davis At Newport 1955-1975: The Bootleg Series Vol. [22] Pitchfork's Ryan Schreiber believed it was "easily the most accessible of Miles Davis' late-'70s electric releases", describing its music as "at once both sexually steamy and unsettling". by: Noah Yoo; December 9 2017. Released 17 November 1971 on Columbia (catalog no. New Miles Davis & John Coltrane Live Box Set Announced. By. Sign up for emails. Twitter. September 6, 2019. Note: The Cellar Door Sessions 1970 box set uses the titles "Improvisation #4" (for Keith Jarrett's keyboard intro) and "Inamorata" instead of "Funky Tonk". A Tribute to Jack Johnson), What the World Needs Now: Stan Getz Plays Burt Bacharach and Hal David, Herbie Mann Plays The Roar of the Greasepaint – The Smell of the Crowd, Chick Corea/Herbie Hancock/Keith Jarret/McCoy Tyner, Time Remembered: John McLaughlin Plays Bill Evans, Remember Shakti – Saturday Night in Bombay, https://en.wikipedia.org/w/index.php?title=Live-Evil_(Miles_Davis_album)&oldid=1001084410, Short description is different from Wikidata, Album articles lacking alt text for covers, Wikipedia articles with MusicBrainz release group identifiers, Creative Commons Attribution-ShareAlike License, "Inamorata and Narration by Conrad Roberts", "Directions" (2nd set) 0:00-0:01 (drum roll), "Directions" (2nd set) 11:30-14:44 + "Honky Tonk" 00:00-00:08, "Honky Tonk" (studio, May 19, 1970) 00:00-00:49, "Directions" (3rd set) 00:47-03:41 (theme excised), "Directions" (3rd set) 03:54-05:51 (theme excised), "Directions" (3rd set) 06:20-17:39 (theme excised), "It's About That Time" (3rd set) 00:00-06:21. Genres: Jazz Fusion. "Funky Tonk" (23:26)(Recorded December 19, 1970 at The Cellar Door, Washington, DC), Side Four (26:29) A number of famous jazz musicians feature on the album, including Keith Jarrett and Jack DeJohnette. "Inamorata and Narration by Conrad Roberts" (26:29)(Recorded December 19, 1970 at The Cellar Door, Washington, DC). October 28, 1970. For details on a session, click on the venue. Miles Davis & Lester Young: Live In Europe 1956. There are 156 sessions from the 1970s in the Miles Ahead database. Bitches Brew Live is a live album by Miles Davis.The album was released in February 2011 and contains material compiled from two concert performances. Live-Evil is one of Miles Davis' most confusing and illuminating documents. "It was really a bad motherfucker," Miles Davis wrote in his autobiography of the live band he led in 1969. It's somewhat dark and mysterious but also accessible and very rockish. Miles Davis - E.S.P. 1. And all he mentioned was a toad. John White - 03 February 2021. 2, Live at the Fillmore East, March 7, 1970: It's About that Time, Black Beauty: Miles Davis at Fillmore West, Miles at the Fillmore – Miles Davis 1970: The Bootleg Series Vol. Details about ULTRA RARE MILES DAVIS SEXTET ACETATE LIVE SF AUDITORIUM UNREALEASED 1960 HEAR See original listing. While he recorded some terrific work for Prestige through the Fifties, the public Davis … 20. Miles Dewey Davis III was born to Miles Davis Jr. and Cleota Henry in Alton, Illinois, on May 25, 1926. Chronicle: The Complete Prestige Recordings, In Paris Festival International De Jazz May, 1949, Miles Davis and Milt Jackson Quintet/Sextet, Miles Davis & John Coltrane – The Final Tour: The Bootleg Series, Vol. G 30954; Vinyl LP). But in the 1940s he had been a teenage trumpet hopeful partnering Charlie Parker and … Live-Evil, an Album by Miles Davis. There were also two other children, an older sister and a younger brother. "Little Church" (3:14)(Recorded June 4, 1970 at Columbia Studio B, New York, NY), 3. Davis had originally intended the album to be a spiritual successor to Bitches Brew, but this idea was abandoned when it became obvious that Live-Evil was "something completely different".[6]. The album was mixed and released in both stereo and quadraphonic. (*) The final two sections are not from The Cellar Door. 952. 1971 studio album / live album by Miles Davis, "Unleashing More of the Davis Legacy : MILES DAVIS", MusicHound Jazz: The Essential Album Guide, Freakin' the Funk – Revisiting Miles Davis's '70s Visions, The New Rolling Stone Album Guide: Completely Revised and Updated 4th Edition, The Penguin Guide to Jazz on CD, LP and Cassette, Miles Davis at Newport 1955–1975: The Bootleg Series Vol. [3] The album was originally released on November 17, 1971.[4]. Live-Evil is an album of both live and studio recordings by American jazz musician Miles Davis. 5, The Complete Columbia Recordings of Miles Davis with John Coltrane, Miles Davis & Gil Evans: The Complete Columbia Studio Recordings, Seven Steps: The Complete Columbia Recordings of Miles Davis 1963–1964, The Complete Studio Recordings of The Miles Davis Quintet 1965–1968, In Person Friday and Saturday Nights at the Blackhawk, Complete, Miles Davis: The Complete Columbia Album Collection, Panthalassa: The Music of Miles Davis 1969–1974, Miles! 5, Miles Davis Quintet – Live In Europe 1967: The Bootleg Series Vol. Email Us. 4, Miles Davis & John Coltrane The Final Tour: The Bootleg Series, Vol. Help FAQ. So Live Evil is Utterly Unique capturing a unique moment of musical discovery for Miles and his band, how many Live Albums can say that? Of the electric Miles Davis albums released during his best period (probably about '69-'72 or so), Live-Evil was probably the most abstract. [9], Live-Evil was released by Columbia Records in 1971 to critical acclaim. 4: Miles Davis At Newport 1955-1975 (Live) 2015 The Bootleg Series, Vol. Smooth move, exclusive deals and updates are coming soon! July 30, 1969. LXXII. 3, Jack Johnson (a.k.a. ULTRA RARE MILES DAVIS SEXTET ACETATE LIVE SF AUDITORIUM UNREALEASED 1960 HEAR: Condition: Used. When Miles Davis released Live-Evil in 1970, fans were immediately either taken aback or keenly attracted to its raw abstraction. Welcome to the Miles Davis Official Store! Side One (25:20) Ended: Jan 10, 2021. March 30, 1970. I told Miles I found the toad. He said the live recordings "run the gamut from barroom brawl action-funk to sensual bedroom jazz magic, creating two hours of charged eccentricity you'll never forget".